Week 2 2020

Week 2 (27 February)

2.15-3.15pm
Introduction to Cultural Data Sculpting Part 3 – panoramic/hemispheric immersion and its history 

3.15-4.30pm
Tour Laboratory for Experimental Museology

4.30-5.30pm
Understanding qualitative experiences | muse – the evaluation tool: Mary Yacob & Afshan Heuer

BREAK

5.45-7.00pm
Brainstorming on developing a major project in groups

Assignment # 2: create a questionnaire for muse to evaluate eM+. Write 15 questions to be submitted. Work together with muse team to implement on tablet. To be presented in Week 6 (10% of total marks).

Readings

• Comment, B. (1999). Introduction & Chapter 1, 8 & 9 & 14, The Painted Panorama, Harry N. Abrams Inc.
• Huhtamo, E. (2013), Illusion in Motion: Media Archaeology of the Moving Panoramas and Related Spectacles, MIT Press: Leonardo.
• Oleksijczuk, D. B., (2011), The First Panoramas: Vision of British Imperialism, University of Minnesota Press.
• Shaw, J. and Weibel, P. Future Cinema, The Cinematic Imaginary After Film, MIT Press.
• Kenderdine, S. (2017), ‘Travelling Kungkarangkalpa’, in Neale, M. (ed), Songlines: Tracking the Seven Sisters, National Museum of Australia Press, pp. 82-85 (PDF)
• Kenderdine, S. (2019). ‘Hemispheres: transdisciplinary architectures and museum-university collaboration’, in Lewi, H. Smith, W. Cooke, S. & vom Lehn, D. (eds.), International Handbook of New Digital Practicesin Galleries, Libraries, Archives, Museums and Heritage Sites. Routledge (in press). (PDF).
• Lambert N (2012), “Domes and creativity: a historical exploration”, Digital Creativity 23:1, pp. 5-29 (PDF)

• Books (eM+ Library)

  Websites

• http://paulbourke.net/dome/
• http://www.petermorse.com.au/